Photography runs through Miquel Veit’s family history. His grandfather loved photography and cinema, his father worked as a photojournalist and his parents passed on both practical knowledge and an understanding of what images can do. That inheritance became his own during documentary work in South America, where a compact camera was enough to clarify that photography could become a way of life.
People are the centre of Miquel’s work, but not as fixed subjects. He looks for the unguarded exchange: a smile backstage, anxiety before an event, emotion in a crowd. Our conversation explores spontaneity, reality and his conviction that many photographic problems should be solved while looking through the camera rather than later at the computer.
Find Miquel Veit online
The interview
Hi Miquel, how long have you been working as a photographer now?
My first official job was in Madrid in 2009 for a press agency as an event photographer. My first assignments were photocalls and covering awards events and TV shows. That experience helped me to understand the context of this job and to learn how to find my way in such a hectic world.
What inspired you to become a photographer? What were your first steps?
My inspiration comes straight from my family. My grandfather, who loved photography and cinema, taught valuable lessons to my dad, who became a photojournalist for most of his life. I inherited that passion and knowledge from my parents, who worked for a newspaper. That included black-and-white photo development since I was a child! When I had my first digital camera, it became the perfect opportunity to exploit all the knowledge I had acquired before. During my journey through South America, with a compact camera in my hands, I covered the political campaign of the mayor candidate in Guajará (Acre, Brazil). It took me several weeks to visit all the villages, side by side with the political group, while documenting their engagement with the inhabitants. This modest and raw experience inspired me and consolidated the idea of making photography my way of life.
Are you a professional or an amateur photographer?
I work as a professional photographer. I have more than 10 years of experience in several fields. Besides, I’ve become a specialist in fashion photography since 2013, when I started working for the fashion agency l’Estrop Produccions. I normally cover shows and backstages at the fashion weeks in major cities such as New York, London, Milan, Paris, Madrid, and Barcelona.
What is your favorite subject to photograph?
My central topic is humans. Despite fashion photography being about posing and taking portraits, what I love is to capture moments, those that require being at the precise location and time: the smile between a bride and her mother, the anxiety at backstage before the catwalk, or intense emotions from protesters in the street. These moments of complicity and true expression are the essence of the picture itself.
What kit do you shoot with?
Since my first Canon A1, inherited from my grandfather, I've been a Canon photographer. I use the Canon 5D Mark IV and the Canon 1DX Mark II at work. Regarding lenses, I’m used to working a lot with zoom. Certainly, the most versatile for me are the 24-70 f2.8 and the 100-400 f4.5-5.6.
How would you define your photographic style?
I would define my style as that of a reality photographer. My style tries to capture spontaneity and authenticity. Learning from others is important; however, discovering how you want to express yourself through photography is actually a genuine style because it will come from within you!
Which editing software do you usually use?
I use Lightroom, which has mostly everything I need. And eventually, I will also use Photoshop for more advanced editing.
John Wanamaker said: Half the money I spend on advertising is wasted; the trouble is, I do not know which half. Do you gain your clients by advertising or in another way?
As marketing channels, I use the web and social networks. But I have to confess that I am not very active on social networks. In my opinion, nowadays, it is not a problem to showcase your portfolio on the Internet. It’s really easy. However, the problem lies in standing out among the many providers that exist. To me, the best certification in photography is your daily work. You can spend money marketing yourself, but it is your work that will ultimately speak for you. My best customer creation mechanism is word of mouth from satisfied customers.
How does your typical working day look like? What do you do when you are not working? How many hours/days per week are you working? What do you do in your free time?
It depends on the type of assignment. I usually travel a lot, and it's inevitable to be waiting for hours until the moment of shooting. This time is worth dedicating to anticipate and find the right place, check the environment, do some settings, and engage with people. When I am at my studio, I’m always busy editing and finishing pending work.
In my free time, I love to dedicate it fully to my family.
What would you do differently if you would start again?
I would try not to waste my time, and probably I would start my studies earlier.
A professional photographer is also an entrepreneur. Entrepreneurs have many things in common. They read a lot. What about you? What are your favorite books?
My reference books are:
- The Photographer's Eye by Michael Freeman and
- Lights of Africa by Gabriel Braugelabert
which are books about editing and photography development. At a personal level, I love books about adventures and science fiction. And, without any doubt, I would like to reread:
- The Hitchhiker's Guide to the Galaxy
especially when traveling.
What was the best advice you have ever received as a photographer? Do you have any advice for other photographers?
"Do something else for a living". I’m not joking, really. Since my beginnings, I’ve heard a thousand times that the place to take the shot is more important than the equipment itself. In my opinion, editing software is overused. Indeed, there are many different styles of photography; however, many corrections and improvements can be done in situ rather than on your computer. For example, to me, capturing the majestic light of the sunrise with my camera is not the same as having to postprocess the picture digitally in order to recreate that wonderful light. My final tip is: don’t let the computer do what your eye can do through the camera.
Top 3 mobile apps on your smartphone?
I use mainly:
- Youtube
Top 3 websites?
As a photojournalist, I check websites from several newspapers and magazines, as well as blogs from great photographers. And as a hobby, I love websites about astronomy and space exploration.
Your last vacation?
My last holidays were in India. It was a very intense, chaotic, and overwhelming experience where I took wonderful pictures of moments I will never forget.
Photo gallery by Miquel Veit
What stayed with me
Miquel’s photographs depend on presence. The essential moment is not manufactured after the fact; it is recognised in a person’s expression, a changing street or a brief alignment of light and action. Editing can refine that encounter, but it cannot replace it.
His family history gives the interview continuity, yet his voice is clearly his own. The lesson he carries forward is not a fixed visual formula. It is the discipline of being in the right place, staying alert and allowing reality to remain visible.